Life is just a matter of perception: no better or worse than what we make of it. “Baby Girl,” a new play by Edith Freni, is just a matter of life, a young single mother’s, but it is far better than what we initially make of it. Don’t get thrown by the convoluted plot—it’s a necessity to throw our perceptions for a loop. What we see isn’t necessarily reality—the protagonist is far from reliable, and trust is a huge issue in this play—but the emotional truth beneath the gritty surface sucks the audience in like quicksand, and the swift pacing, urban soundtrack, forceful acting, and realist direction by Padraic Lillis keeps us there.[Read on] at New Theater Corps
3.13.2006
THEATER - "Baby Girl"
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